Going west is a major theme in Jack Kerouac’s novel, On
The Road. Along with the actual use of the phrase “going west,” Kerouac
exemplifies the ideals of the West within the food and drink he consumes as
well as the people he idolizes. The cowboys that Kerouac comes in contact with
are not simply cowboys but are representative of the West as an ideal. The West
was about adventuring, manhood, and discovering the great expanse of land
called America. Kerouac starts the novel’s timeline not long after his father
passes, and what follows does not harbor many memories of the man. But through
his friendship with Neal Cassidy, Kerouac is motivated to stop “vaguely
planning and never specifically taking off” and finally venture off to Denver
to meet his friends (109). Throughout his travels, Kerouac embraces things that remind him of his
western ideal: apple pie, whiskey, cowboys, as well as his friends themselves. But the idea of being his own man through
going west is somewhat deluded by Kerouac’s co-dependence on Cassidy. Starting
the book by basically recounting their first meeting, and commenting all the
way through about his whereabouts and activities; Kerouac illuminates his
intense need for a guide, or to be more specific a father figure. Kerouac tends
to ingest his friends personality traits while he stays with them, but Neal
Cassidy is the only one that Kerouac finds himself so entwined with that he
actually marks his life by his comings and goings. With a father who was not a
stable figure for his son, Kerouac goes in search of a father figure within the
west and the individuals who embody it.
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